Duras is never concerned only with her own work
This book explores both positions
the book ostensibly traces its protagonist Lyn’s journeys to Mexico and her return to attend art school in 1980s New York
Screen print in three varnished layers on satin paper
Jacques Ranciere: The Intervals of Cinema Richard Evans Duras is never concerned onlyVerso, 2019, softcover, 160 pages, 13 x 19. 5 cm Cinema, like language, can be said to exist as a system of differences. In his latest book, acclaimed philosopher Jacques Rancire looks at cinematic art in comparison to its corollary forms in literature and theatre. From literature, he argues, cinema takes its narrative conventions, while at the same time effacing literatures images and philosophy; and film rejects theatre, while also fulfilling