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and focus on critical junctures for transformation
This publication is informed by Catherine Malabou’s conception of destructive plasticity—an irreversible destruction of form that makes it possible for new phenomena to emerge
crime-infested housing projects
echoing the noises around her
Flash Art #350 2025 collage and focus on critical juncturesFor well over a year, weve immersed ourselves in the evolving landscape of contemporary imagery. As we shaped this issue of Flash Art, global events forced us like the rest of the world to continuously reassess themes, content, and our editorial approach. This journey led us to explore a more grounded visual language, moving away (even though not entirely) from heavily manipulated digital aesthetics in favor of imagery that feels raw, immediate, and
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